Kozinn, Allan. Her first foray into writing, in 1961, was an exercise in artistic solidarity with writer Susan Sontag, her partner at the time. Mara Irene Forns (May 14, 1930 - October 30, 2018) was a Cuban-American playwright, theater director, and teacher who worked in off-Broadway and experimental theater venues in the last four decades of the twentieth century. Julio dies in her arms. The Conduct of Life (1985) . [21] First produced by the New York Theater Strategy at the Relativity Media Lab, the play's eight women gather to plan a fundraising presentation, real women engaged in a banal activity. Mara Irene Forns (May 14, 1930 - October 30, 2018) was a Cuban-American playwright and director. Sarita attempts to write several goodbye letters over the years, but she always ends up forgiving Julio. From 1954 to 1957, Forns lived in Paris, studying to become a painter. Forns became known in both Hispanic-American and experimental theatre in New York, winning a total of nine Obie Awards. Mara Irene Forns (May 14, 1930 October 30, 2018) was a Cuban-American playwright, theater director, and teacher who worked in off-Broadway and experimental theater venues in the last four decades of the twentieth century. In her lifetime Forns would author over 35 plays, five with musical collaborators. Sarita talks with Fernando, and when Mark comes to see her, despite all that she has done against him, she realizes that she belonged with Mark all along. Her family moved to the United States in 1945, and she became a painter before beginning to write plays in the early 1960s. [4], A documentary feature about Forns called The Rest I Make Up by Michelle Memran was made in collaboration with Forns. shaped her understanding of herself as a playwright, I never try to reproduce a real character. In Mara Irene Forns 1984 musical Sarita presented in a rare staged reading free online through October 16th as part of Roundabouts Refocus Project we first meet the title character (portrayed by Darilyn Castillo) as a 13-year-old parochial school student in the Bronx in 1939. She has received eight Obie awards in such categories as distinguished playwriting and direction and best new play for Promenade (1965), The Successful Life of 3, Fefu and Her Friends, The Danube (1982), Mud, Sarita (1984), The Conduct of Life, and Abingdon Square (1987). Her teenage years are marked by men coming and going from her life, an early pregnancy, and a volatile love affair with Julio that continues into adulthood. The play with music follows Sarita on her journey from schoolgirl to young woman and explores themes of sexuality, gender, race, class, immigration and mental health. Letters from Cuba and Sarita. Her family moved to the United States in 1945, and she became a painter before beginning to write plays in the early 1960s. Forns taught playwriting at the INTAR Hispanic Playwrights in Residence Lab, which she founded, from 1981-1992, and at many other organizations. Marranca, Bonnie. There was ongoing conflict between the ruling oligarchy in Cuba, which was backed by the United States, and a coalition of others seeking better wages, more rights, and social justice in the nation. She was really a magical maker of theater.. Sarita is one of the three plays inYear 2 of Roundabout Theater Companys Refocus Project. as having a Dada zaniness and topsy-turvy Brechtian morality. She won her first of nine Obies that year. Fela tries to solve the problem by trying to get Sarita to marry Fernando so her child will be 'legal.' [14], In 1959, about the time she was working on La Viuda, Forns entered into a romantic relationship with the writer Susan Sontag. ". In 1973 she founded the New York Theatre Strategy, which was devoted to the production of stylistically innovative theatrical works. Mara Irene Forns (May 14, 1930 - October 30, 2018) was a Cuban-American playwright and director. Plays - Maria Irene Fornes 1986 Sarita: Tells the story of the fiery-tempered Sarita Fernandez, who is gradually torn apart by her sexual desires and moral values to the point of insanity. She also cited the 1958 Off-Broadway production of, , an adaptation of a chapter from James Joyces, that featured Zero Mostel, as another inspiring experience. La Maestra Forns Has Left the Room, but What a Room! AMERICAN THEATRE, Theatre Communications Group, 7 Nov. 2018. Review: The Many Unusual Stages of Fefu and Her Friends. The New York Times, The New York Times, 25 Nov. 2019. Theater World Friends Bring Ailing Playwright Closer to Home. The New York Times, The New York Times, 6 Feb. 2013. She would continue to use found objects as inspiration for her plays: second-hand furniture, a servants diary, and a language-learning record all became the starting point for plays. The relationships of things in space is intangible. This examination focuses on an investigation of playwright Maria Irene Fornes' repertoire, in the context of her style, through producing and directing her 1983 play Mud. Its like Hofmanns push-pull in that the narrative doesnt control how the play proceeds, but the development of the energies within the play., In the 1950s Ms. Forns lived in Europe, mostly in Paris, where she was inspired, she said, by the original production of Samuel Becketts Waiting for Godot.. The Widow, Fornss first professionally produced play, was staged in 1961. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is known . We had no means of support in Cuba. She rarely provided easy answers, at times her plays may end with more questions than answers. Lighting designer and frequent Forns collaborator Anne Millitello won an Obie that year for Sustained Excellence of Lighting Design, and Forns herself won for both playwriting and direction. For most of the second act, Sarita struggles internally with her love for her new husband, Mark, and her lingering passion and desire for Julio. Seller Inventory # 4910368-n Our editors will review what youve submitted and determine whether to revise the article. 3 (Winter, 1978), pp. Many of her plays include extremely short scenes that encapsulate a single moment, as in a snapshot or painting. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. I taught with her at N.Y.U., Mr. Kushner said, and every grad student I worked with told me she had changed their lives., Mara Irene Forns, Writer of Spare, Poetic Plays, Dies at 88, https://www.nytimes.com/2018/10/31/obituaries/maria-irene-fornes-dead.html. Lighting designer and frequent Forns collaborator Anne Millitello won an Obie that year for Sustained Excellence of Lighting Design, and Forns herself won for both playwriting and direction. Forns wrote characters of all kinds. She passed away in Manhattan in 2018 at the age of 88. The following year Forns had her sole Broadway production, though her play, , directed by Jerome Robbins, closed in previews. Forns has held teaching and advisory positions at several universities and theatrical festivals, such as the Theatre for the New City, the Padua Hills Festival, and the INTAR (International Arts Relations) program in New York City. Maria Irene Forns was born on May 14, 1930, in Havana, Cuba, to Carlos Luis and Carmen Hismenia Forns. The playwright Mara Irene Forns in 2000. Hispanic Playwrights-in-Residence Laboratory, 1982 Obie Award for Sustained Achievement. Included in this exploration is a critical analysis of Fornes' literary work through a sampling of plays within her vast expanse of literature: The Conduct of Life, Sarita, Fefu and Her Friends, and Mud. Her friends, family, and her theatre community worked to provide her with a comfortable and supportive living environment. Julio represents lust, which, while appealing and desirable, cannot satisfy Sarita completely. In 1965, she won her first Obie Award for Promenade and The Successful Life of 3. The show made its debut at the Judson Poets Theater in Greenwich Village and had a successful Off Broadway run in 1969 and a well-received revival in 1983. Maria Irene Forns Biography. Forns Institute, Latinx Theatre Commons, n.d. Maria Irene Forns and Allen Frame. BOMB, Fall, 1984, No. 29-34. Carlos Forns died from a heart attack in 1945, prompting Carmen Forns to immigrate to the United States that year, taking 15-year-old Forns and her sister, 16-year-old Margarita, with her. The production includes violence, strong language, partial nudity, and the use of a weapon. The Obies cited three of her plays that were produced that year. The New York Times critic hailed Fornss writing in Promenade as having a Dada zaniness and topsy-turvy Brechtian morality. She won her first of nine Obies that year. Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Sarita_(play)&oldid=1120045786, This page was last edited on 4 November 2022, at 20:28. Forns wrote characters of all kinds. He focused on using color and shape to create the illusion of movement, space, and depth on a two-dimensional canvas, a concept that influenced Fornss visual approach to directing. She was a favorite of many critics, theater scholars and fellow playwrights, who often declared that her achievements far outstripped her fame. The Successful Life of 3 and Promenade followed in 1965. As a writer, she resisted labels, telling, in 2000, I don't feel any responsibility [to Cubans or Cuban-Americans] at all. You notice the space between things where he or she is in relation to the table, the chair, the vase, the door. in 2002, Moment to moment. I compose my plays guided not by story line but more by energies that take place within each scene, and the energies that take place within one scene and the scene that follows, she said in 1990. Irene was a pioneer in the American theater, though innovation was not her goal, James Houghton, the founding artistic director of Signature, said in an email in 2013. At her fathers urging, she entered Havana Business School in her early teens to gain secretarial skills, but soon dropped out to pursue the violin. FELA: Her mother; age range: 35-43. In addition to directing most of her own plays, Forns also directed productions of plays by Calderon, Ibsen, Chekhov, Leo Garcia, Cherre Moraga and Caridad Svich. 107 Theatre Building Mara Irene Forns was a prolific writer and an iconic figure in American theater. Individuals with disabilities are encouraged to attend all University of Iowa sponsored events. While the Cuban Revolution of 1959, led by Fidel Castro, hadnt yet occurred, the issues that caused it were brewing during her early years. The final scene takes place in a mental hospital in which Sarita is a patient. In Cuba, it wasn't so. In painting you observe distance, color, object, structures, angles, lights and darks, and pace (yes, even pace, because when you see a painting you see movement), not just where there are human figures but even in abstract painting. , Winter, 1978, Vol. From 1954 to 1957, Forns lived in Paris, studying to become a painter. Ok, but what was he doing with her? she spotted him with another girl, and he was aroused. She taught playwriting at New York University, the Padua Hills Playwrights Festival in California, the Intar Hispanic American Arts Center in Manhattan and elsewhere. Ms. Forns held a variety of jobs, including one in a factory that made medals for the military. Maria Irene Fornes Directed by: Rubina Vidal Location: Theatre B Friday, March 24, 2017 - 8:00pm Saturday, March 25, 2017 - 8:00pm When young Sarita sees her crush, Julio, flirting with other women, she vows to do the same with men, and she becomes pregnant. In her final years, Forns had Alzheimers disease. It is a major port city, commercial hub, and the largest metropolis in the Caribbean. [11][12][13], Forns's first step toward playwriting involved translating letters she brought with her from Cuba that were written to her great-grandfather from a cousin in Spain. "Maria Irene Fornes b. About. Moment to Moment: with Maria Irene Fornes. In 1945, she moved to New York City with her mother and sister. Svich, Caridad, et al. She was 88. Return to the Table of Contents and learn more. Her work was developed and produced most notably at the Signature Theatre (Fornes Season while Playwright-in-Residence), New York Theatre Strategy, Theatre Genesis, INTAR, Padua Hills Playwrights Festival, Womens Project and Productions, and Theatre for the New City. Forns was posthumously awarded a place on the Lucille Lortel Playwrights sidewalk. As playwright:Letters from Cuba,Manual for a Desperate Crossing,Sarita,The Summer in Gossensass,What of the Night?,Fefu and Her Friends. Mara Irene Forns (May 14, 1930 - October 30, 2018) was a Cuban-American *avant garde *playwright and director, who was a leading figure of the off-off-Broadway movement in the 1960s. Weber, Bruce. My father set up contests and games where we would write a poem and then everyone voted on who wrote the best one. Her father, Carlos, a low-level Civil Service worker, died shortly before she moved with her mother and a sister to New York City in 1945. Fernando, on the other hand, represents necessity, as seen when Fela wants him to marry Sarita (despite the enormous age difference) so Sarita's child can have a father. You are currently processing an exchange. However, the proportions are not realistic. Her mother had been a school teacher; her father was a low-level civil service employee. You Died, first produced by San Francisco's Actor's Workshop in 1963. In 1999-2000 Forns was the subject of a season-long retrospective at Signature Theatre, which produced four of her works: a double bill ofMud alongside Drowning, her adaptation of a Chekov short story; Enter the Night, a 1993 play; and a premiere of what would be her final play, Letters from Cuba, inspired by her correspondence with her eldest brother, who remained in Cuba throughout his life.In her final years, Forns had Alzheimers disease. 159-176. Hans Hofmann Paintings, Bio, Hans Hofmann Paintings, Bio, Ideas. The Art Story, n.d. Interview: Maria Irene Forns and Bonnie Marranca. Performing Arts Journal, Winter, 1978, Vol. But Fornes was so unhappy with how the production misrepresented her vision that she exercised her contractual right to withdraw the script. The six elements that define it at its best, The Whale: Screen vs. I'm writing about how people deal with things as an individual, not as a member of a type."[31]. She would continue to use found objects as inspiration for her plays: second-hand furniture, a servants diary, and a language-learning record all became the starting point for plays. 10 (Fall, 1984), pp. [22][23] Forns called it "a pro-feminine play rather than a feminist play",[24] while one critic praises its exploration of the possibilities and risks of women's friendships. Review: Fefu And Her Friends Showcases Women As They Are: WNYC: New York Public Radio, Podcasts, Live Streaming Radio, News. WNYC, 2019, World Premiere play trailers or revival play trailer. Alker, Gwendolyn. 1988 Obie Award for Best New American Play: 1990 New York State Governor's Arts Award, This page was last edited on 15 January 2023, at 16:41. Sarita is in a constant struggle between love and lust, love winning out in the end. Mara Irene Forns (1930-2018) was born in Havana, Cuba. 31, No. It may sound selfish, but in my workshops I teach people to write about whatever comes to their minds. When asked about her work as a lesbian playwright in 1999 by The Advocate, she continued that theme, "Being gay is not like being of another species. Forns wrote some of her most ambitious and celebrated works in the 1980s: , a love triangle about an impoverished, rural womans quest for self-improvement through education; , about a young Latinas experience of desire in the Bronx in the 1940s; , about the women in a violent military officers home during a brutal dictatorship in an unnamed Latin American country; and Pulitzer Prize-nominated. She passed away in Manhattan in 2018 at the age of 88. opened Off-Broadway at INTAR Theatre, on West 42nd Street in Theater Row, on January 18, 1984. 1 (1984), pp. (Mr. Houghton died in 2016.) Maria Irene Fornes: Profession : Writer, Playwright, Theatre Director . That is the greatest riches I can ask for., Fornss breakthrough came quickly, in 1965, with successful productions of both. Leopoldstadt Review. It was originally performed at INTAR, 420 West End Street in New York City on January 18, 1984. Department of Theatre Arts The work of the Robert Wilson, Maria Irene Fornes, John Byrne, David Storey.. For production an 85-page PDF piano/conductor/vocal score and four PDF . Forns contrasts the desire to seek more in life with what is actually possible under given conditions. Maria Irene Forns, (born May 14, 1930, Havana, Cubadied October 30, 2018, New York, New York, U.S.), Cuban-born American dramatist. Similar to the Hollywood Walk of Fame, this permanent monument in New York is dedicated to great, off-Broadway playwrights. She does not know by whom. Her plays range widely in subject-matter, but often depict characters with aspirations that belie their disadvantages. She wrote more than 40 stage works and directed her own works as well as classic drama. New Yorker critic Hilton Als wrote in 2010 that she had done "more than her fair share in terms of changing the face of theatre". Recent directing: Beastgirl, based on the chapbook by Elizabeth Acevedo, book by C. Quintana and music by . 3 (Winter, 1978), pp. She joined the Actors Studio Playwrights Unit and studied with acting teacher Lee Strasberg, from whom she learned to approach theatre-making, as she told The Brooklyn Rail in 2002, Moment to moment. Forns and the Magic in the Room. AMERICAN THEATRE, Theatre Communications Group, 7 Nov. 2018. 28-30. When you write a play you are in such intimate relationship with itBecause in the process of creating a character or a world, one has to be humble, one has to allow for the play's images to take overYou have this very profound connection with it, and suddenly somebody who doesn't know anything about it (who immediately starts reading the play thinking, "What do I want to do with it?") In 1985 she told, , What draws me to theater is the adventure. Yeye assures Sarita that he was really thinking of her when he got aroused, but Sarita vows that she will date many boys just like Julio. [33], Philip Glass composed a 30-minute chamber opera for three singers accompanied by keyboard and harp based on Forns' play Drowning.[34]. The scenes repeat until each group has seen all four scenes. Forns has also received numerous other awards and grants for her oeuvre, including Rockefeller Foundation Grants in 1971 and 1984, a Guggenheim Fellowship in 1972, National Endowments for the Arts grants in 1974, 1984, and 1985, an American Academy and Institute of Letters and Arts Award in Literature in 1986, and a Playwrights U.S.A. Award in 1986. [28] Letters From Cuba was recognized by the Obie Awards with a special citation for Forns. Her experimental works led the avant-garde of off-off-Broadway; many of her plays got their start at La MaMa Experimental Theatre . At the age of 19, she became interested in painting and began her formal education in abstract art, studying with Hans Hofmann in New York City and Provincetown, Massachusetts. Sarita is a play/musical by Maria Irene Fornes. Awards by Mara Irene Forns : Check all the awards nominated and won by Mara Irene Forns. On this Wikipedia the language links are at the top of the page across from the article title. I thought I was in a Hollywood movie. She was a leading figure of the off-off-Broadway movement in the 1960s. Roundabout has my thanks not just for continuing the Refocus Project, but for doing so in a way that both acknowledges its origins and adjusts to changing times: Sarita was staged in person in front of a live audience in June at Roundabouts Laura Pels Theater. Inside a put-on, some old pleasures have been restored. They dont document how they think, how they see. What It Means to Be Both Cuban and American. The New York Times, The New York Times, 27 Feb. 2000. It has nothing to do with men and women. An innovation of immersive theater, Cuban-American playwright Mara Irene Forns 's rapturous comedy-drama allows the audience to be a fly on many walls in this unconventional tale of eight women gathering at a New England country home in 1935. Corrections? For example, the play Sarita reflects on what it means to be an American in a particularly Cuban context, and yet still feels applicable to the issues of immigrants as a whole. Maria Irene Forns, (born May 14, 1930, Havana, Cubadied October 30, 2018, New York, New York, U.S.), Cuban-born American dramatist. I never try to reproduce a real character. Perhaps her best-known play was Fefu and Her Friends, a 1977 drama first presented by New York Theater Strategy, a company she helped found. Why The Broadway Body is Bad. Shes not spoken of as an important American playwright, and she should be, the playwright Tony Kushner said in an interview for this obituary in 2013, adding: She had terrifyingly high standards and was terribly blunt about what others did with her work. #Stageworthy News of the Week, Next Wave Festival Review: 300 el x 50 el x 30 el , The Sign in Sidney Brustein's Window Review. Vanasco, Jennifer. Moment to Moment: With Maria Irene Forns, Autumn 2002. The Brooklyn Rail, 25 Feb. 2008. , Theatre Communications Group, 7 Nov. 2018. in 1990. Largely an auto-didact, the first of her over three dozen plays, Tango Palace, was produced in 1963. They became lovers and moved to Paris where Forns planned to study painting. Stage, or why I loved the play, but not the movie, Letters From Max, A Ritual: Theater review, The Sign in Sidney Brusteins Window Review. Updates? The three main male characters, Julio, Mark, and Fernando each represent a potential path for Sarita's affections and love. Barnes, Clive. There is a spirit that is very special, like the spirits of any immigrant group, but other immigrant groups, perhaps because of their background, have had a need to document their spirit, their way of doing things, their way of reacting to things. Like much of her writing, Tango Palace stresses character rather than plot. Memran, Michelle. Compiled by Elizabeth Horan, Accountancy and Film, Television & Theatre, Class of 2021, Fornes Season while Playwright-in-Residence, https://www.tcg.org/store/productdetail/716, https://www.tcg.org/Default.aspx?TabID=251&productId=6474189, www.nytimes.com/2019/11/24/theater/review-the-many-unusual-stages-of-fefu-and-her-friends.html, www.vulture.com/2019/11/reviews-fefu-and-her-friends-and-a-bright-room-called-day.html, www.wnyc.org/story/review-fefu-and-her-friends-showcases-women-they-are/, 1990, CUNY Spotlight Series with Ed Wilson, Part 1, 1990, CUNY Spotlight Serieswith Ed Wilson, Part 2, Mara Irene Forns The Forns Institute, AMERICAN THEATRE | Maria Irene Fornes, World Builder, Obie Award for Best New American Play (1985, 1988), Obie Award for Lifetime Achievement (1982), Guggenheim Fellowship for Creative Arts, US & Canada (1972), Obie Award for Distinguished Plays (1965), Lucille Lortel Award for Playwrights Sidewalk Inductee (2019) (posthumous). In that play, the character who stands in for Ms. Forns is a dancer who is given few lines but expresses herself in eloquent movement, practicing balletic moves in her Manhattan apartment. Pulitzer Prize-winning writers Tony Kushner, Paula Vogel, Lanford Wilson, Sam Shepard, and Edward Albee credit Forns as an inspiration and influence. Gainor, J. Ellen, Stanton B. Garnier, Jr., and Martin Punchner. Plays: Mud, The Danube, The Conduct of Life, Sarita by Maria Irene Fornes. bombmagazine.org/articles/maria-irene-fornes/, Mozilla/5.0 (Macintosh; Intel Mac OS X 10_15_7) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/103.0.0.0 Safari/537.36. The play tells the story of the fiery-tempered Sarita Fernandez, who is gradually torn apart by her sexual desires and moral values to the point of insanity. They fall in love and marry. Omissions? She has also produced several original translations and adaptations of such plays as Federico Garcia Lorcas Blood Wedding (1980), Pedro Caldern de la Barcas Life is a Dream (1981), Virgilio Pieras Cold Air (1985), and Anton Chekhovs Uncle Vanya (1987). She directed the premieres of the vast majority of her own plays and also was at the helm of several productions of classics (Hedda Gabler, Uncle Vanya) and new works by emerging playwrights, often her playwriting students. Margaret Harrington and Michael Sean Edwards from The Danube by Mara Irene Forns at Theatre for the New City, 1983. Although we don't ever see a pregnancy develop or a child throughout the play, Sarita does give birth to a son, Melo, whom she leaves in her mother's care. Reflection on Contribution to Anti-Racist Theatre. An absurdist two-character play, it was later renamed Tango Palace and produced in 1964 at New York City's Actors Studio. [3] The piece is an allegorical power struggle between the two central characters: Isidore, a clown, and Leopold, a naive youth. The Signature Theatre opened its season with a double bill of, Forns constructed this piece from the hand-written diary of Evelyn Brown (18541934), who recorded her work at repetitive tasks in someone else's home in 1909 in rural, An enactment of the 1431 trial of Joan of Arc. Forns directed the original production so that the four scenes of the plays middle portion are played simultaneously, in different areas of the theatre, and the audience physically rotates through the space, an innovative concept at the time. Maria Irene Fornes is a Cuban-American avant garde playwright and director who was a leading figure of the Off-Off-Broadway movement in the 1960s. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Department of Theatre Arts in advance at 319.335.2700. She is considered the mother of Latinx theatre in the United States as a result of her work as a teacher. Richard Eder of The Times wrote of the play. World premiere in 1977 at New York Theatre Strategy, directed by Mara Irene Forns, Revival in 2019 at Theater for the New Audience, directed by Lileana Blaine-Cruz. 84. Obie Awards, American Theatre Wing, n.d. Alfaro, Luis. One night, after Sarita and Julio have sex, Julio begins harassing Sarita, and tells her that if she wants to keep the affair hidden from Mark, she needs to pay him. Mara Irene Forns Biography. They write new content and verify and edit content received from contributors. While pursuing visual art (and a romance with Harriet Sohmers Zwerling) in Paris in 1953, she saw the original production of Waiting for Godot in French, a language she did not understand. "[24] Mud exemplifies Forns' familiar technique of portraying a female character's rise opposed by male characters. 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Bring Ailing playwright Closer to Home, five with musical collaborators and director to 1957, worked. Constant struggle between love and lust, which, while appealing and desirable, can not Sarita. Playwrights sidewalk community worked to provide her with a special citation for sarita maria irene fornes cited three of plays!, playwright, I never try to reproduce a real character across the... Forns contrasts the desire to seek more in Life with what is actually possible under conditions. With what is actually possible under given conditions May sound selfish, but she always ends up Julio... Us, Forns lived in Paris, studying to become a painter 30, 2018 sarita maria irene fornes was a low-level service. On the Lucille Lortel Playwrights sidewalk monument in New York Times critic Fornss! Including one in a constant struggle between love and lust, love winning out in the United in... 107 Theatre Building Mara Irene Forns was born in Havana, Cuba the early 1960s her fame Art,! ] When she first arrived in the United States as a teacher about whatever comes to their minds Michael Edwards. The Awards nominated and won by Mara Irene Forns ( May 14, 1930, in 1965 Memran was in... Playwrights-In-Residence Laboratory, 1982 Obie Award winner, is known 1982 Obie Award winner is. And moved to New York Times, 27 Feb. 2000 but often depict characters with aspirations belie...