But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. Im not surprised you guys mostly hate on records and rarely do things right. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. 40 "Should've Said No" Swift's uptempo. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. But as we all know, Taylor Swift isn't like other artists. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" So, the savant of promotional whimsy announced an upcoming album in August, cloaked her website in a cryptic countdown reading "Meet me at midnight," posted the premise of "the stories of 13 sleepless nights scattered throughout my life," and ceremoniously revealed the track titles from an antique bingo machine in a TikTok series. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. 175. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). And on Midnights, Taylor turns to us, yet again. There are many more parallels to past albums, as revisiting life moments already explored in her previous songs creates yet another treasure map of topics for knowledgeable fans. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. " Bad Blood . ", Big Machine/Republic Records/Republic Records/Big Machine. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. What once felt (or possibly still feels) like the end of the world is, on "Taylor's Version," also a testament to resilience we'll make it to the other side, and we'll do it again and again. Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). Lover is a backtrack in a way. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. These subtle parallels between songs form a sheen narrative web that hovers above the awareness of the average listener but dazzles the die-hard fan, who at this point is well accustomed to Swift's scavenger hunt antics. And then theres the title track, a gorgeous slow-dance, that acts as a reminder to why the world fell in love with Swift in the first place. document.getElementById("comment").setAttribute( "id", "ae642da28755683afdf2ec0fe06ed858" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). Welcome to the Taylor Swift song sorter. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. But this is Taylor we're talking about here, and the fact of the matter is, she's at her best at her most singular, when there's zero doubt that anyone but her could have been the creative mind behind the record. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. folklore is a backward glance over your shoulder clouded by a cold air exhale and it remains Taylor's greatest work to date. "The 1" and "August" tied for the top spot. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. How do you follow-up Reputation, a revenge album filled with vengeance? Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. evermore. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. She's moved on, but she also wants us to know she's moved on. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. the album's opening track, and in the closing track, "New Year's Day," when we hear a stripped-down, piano-heavy ballad in which Swift sings emotion-filled lyrics. some of the music released later in her career. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. 1 as it best represents the evolution of Swift and her music. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. Its fantasias are more melancholic, its themes of longing more resentful. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. 2023 Oscars predictions: See who will win at the 95th Academy Awards. By album three Swift was a certified Big Deal. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. i. Top that, Shakespeare. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. But just because Taylor took a sharp left turn doesn't mean she was unsuccessful. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Keefe. Theres a Bon Iver collaboration, too: melancholy duet Exile, a slow-burning number which eventually erupts into chattering layered vocals and euphoric strings at the climax. Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. With a record thats a love letter to love itself. Plus her later albums feature songs that are more interesting and creative lyrically and stylistically. Swifts surprise eighth album arrived with very little fanfare. Keefe, Swifts seventh album, Lover, lacks a unified sonic aesthetic, ostensibly from trying to be something to everyone. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. Swifts most recent release is a glittering return to pure-pop music. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Almost 15 years ago, before the Grammy awards and international tours, a fresh-faced, 17-year-old Taylor Swift released her self-titled debut album. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. As if the gift of folklore's acoustic stylings wasn't a treat enough, Taylor conceived a surprise sister album like clockwork during her end-of-year creative storm, amidst filming the Long Pond Studio Sessions documentary and re-recording Fearless. Although the first glimpses we heard from it (the musical theatre-style Me! and the stomping You Need to Calm Down) didnt do the record justice, listen to Lover in full and youll find moments of pure joy. Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. Perfectly Fine." She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. Jonathan Keefe. What follows is a collection of stone-cold glimpses into the ripple effect discontentment has on relationships: the sadness of a seasonal lover, affection and effort met with indifference, infidelity ending in death. It's the album that immortalized her in the cultural ethos (for the first time around), delivering instant classics in "Love Story" and "You Belong with Me" that are forever fan favorites no matter how far her style and sensibilities have evolved. escaped the fate of Pharrell in Minions or Timberlake in Trolls). 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". folklore. No one would have blamed her for taking a well-deserved creative hiatus after that marathon of releases, but Taylor has proven herself to be an artist of momentum multiple times over. Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. But this time, we're also met with a subtle lightness, like the calm and clarity that comes after a good cry. The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". "Entirely self-penned, sans the collaborations of the previous albums, it's an enormous breakthrough in songwriting maturity, while hardly forsaking the childlike lack of pretense that made earlier efforts such guilt-free ear candy," wrote Willman. Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). this includes her entire catalogue/discography and eras debut to evermore. Having no taste when it comes to state of Grace?) Swift certainly has an . The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. Released as a surprise sister album to folklore, it focused on Swift's exploration of lyrical storytelling based on tales and experiences that weren't her own. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. The albums lyrics only serve to bolster that perception: Swift comes off like a frazzled stay-at-home mom scolding her disobedient children on Look What You Made Me Do and This Is Why We Cant Have Nice Things. But its her willingness to portray herself not as a victim, but the villain of her own story that makes Reputation such a fascinatingly thorny glimpse inside the mind of pops reigning princess. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). To me, "Midnights" feels like an encapsulation of Swift's musical journey. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. Debut. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). Midnight's answer: she's still soaring. by Slant Staff October 25, 2022 1 Photo: Republic Records Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. Pick what song you like better in each battle to get an accurate list of your favourite songs. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). Keefe, In the run-up to the release of her sixth album, Reputation, Swift was excoriated by fans and foes alike for too often playing the victim. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. The Taylor Swift song sorter and B. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. But while her grasp of song structure at this point in her career suggested an innate talent for how to develop a melody, Fearless also highlights Swifts then-limited repertoire and lack of creativity in constructing her narratives of doe-eyed infatuations and first loves gone wrong. Its not just the shock drop that felt different, though, as musically it saw Swift dive head-first into a new sonic palette of wistful indie-folk. Let's be clear: There are no bad Taylor Swift albums. The finished product is, of course, sterling. evermore - 85. evermore was Swift's ninth studio album. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). Ten albums, a mantelpiece of awards and over a decade later, Swift has become one of the biggest popstars on the planet. "Swift's usual approach to dabbling in new genres or sounds is to go balls-to-the-wall, but on 'evermore,' she's just as good at curating these more detailed production flourishes, all with the same contouring and meticulousness as she does with her best lyrics," she wrote. As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. "Musically and lyrically, Red resembled a heartbroken person. 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